First, the writing: in the last few weeks, I have been a part of two amazing opportunities that are directly connected to my dissertation study. I attended a three day writing workshop with Maestra Cherrie Moraga, and I worked as a TA (and also attended) a spiritual memoir writing class with Maestra Ana Castillo. Both of these mujeres are pivotal in my PhD studies, and as a facebook friend noted, they are forces of nature. I strongly concur, and during the workshops, I wrote about my family/shame as well as spirituality/belonging. Then, I spent last week or so processing and letting myself be transformed by their guidance. Trying to let the transformation reach into my academic work as well as my personal growth.
Second, during this time, I received feedback from my two other readers on my dissertation committee, and I spent some time in dialogue with them about how to incorporate Indigenous roots, linguistic integration, and decolonial emphasis into my dissertation. Big stuff I tell you; however, after it all (or in the midst of it all), I have a sense that although words may fail me, the creative aspect in my study will save me.
Finally, my energy has been going toward making sure all the paperwork and organization was in place for me to graduate this coming May. Indeed, I am almost there, and after many emails, my dissertation defense is set:
Women’s Spirituality
Invites You to
A Doctoral
Dissertation Defense
by
Cristina Rose Smith
Finding Xicana, Filipina, and Euroamerican
Transformational Integration in Solidarity in Multiethnic Creative Texts:A
Mestiza Approach to Ethnoautobiographical and Literary Critical Methodologies
Defense: 3:00pm tp 5:00pm, room 307
Celebration: 5:00pm to 6:00pm, room
308
on Thursday, February 20, 2014
1453 Mission Street, room 425
1453 Mission Street, room 425
Mestizas embody the multiplicity of their ancestral locations,
ethnicities, and cultures. Being
"in all cultures at the same time," as Gloria Anzaldúa describes,
these multiethnic women are in the borderlands and the diaspora. Biologically woven in diversity, they are
often internally restless within a socially constructed racial framework that
would have them identify as either "women of color" or
"white" when they have Indigenous and Euroamerican subjectivities. In
particular, this study addresses those Mestizas
who have been raised to pass or cover as "white." Indeed, these women, and, I argue, all Mestizas must work towards integration
in solidarity, that is, internal as well as external integration (within
ourselves and women's spirituality communities) while bringing a conscious
solidarity to these relationships.
Organized around three
literary elements - characters, imagery, and diction - this study seeks this
integration in solidarity through juxtaposing creative texts that portray Mestiza multiplicity. Specifically,
using a transdisciplinary Mestiza
approach - bearing feminist and decolonial Indigenous lenses - with
ethnoautobiographical methodologies, this research explores my
Xicana-Filipina-Euroamerican creative texts to find these literary elements
which encourage "integration in solidarity within." Additionally,
employing a Mestiza approach to
literary criticism, this scholarship engages with four published works -
(Xicana) Ana Castillo's So Far From God,
(Filipinas) Jessica Hagedorn's Dogeaters
and Merlinda Bobis' Flight is Song on
Four Winds, and (Euroamerican) Starhawk's The Fifth Sacred Thing - to deepen this research of integration in
solidarity. Altogether, this
dissertation offers nepantla spaces
in which Mestizas – inspired by nepantleras and babaylans
– create kapwa.
Dissertation Committee Chair: Alka Arora, Ph.D.
mmnnnnnj
Dissertation Commitee Member: Sandra
Pacheco, Ph.D.
nnnnnn
Dissertation External Member: Leny Strobel, Ph.D.
Dissertation External Member: Leny Strobel, Ph.D.
So, finally, a month and a half from submitting my study to my entire committee, I am back in a grounded place and space (the gorgeous Huasna Valley that reminds me so much of Mora County, New Mexico), plans have been made for the rest of the semester till I graduate, and feedback has been given (and more will come this next week) from each of my committee members.
Thus, it is time to revise!
(Ok, I do have to move into the new living space today, but I have the next 10 days to figure out what I can revise and what I can work on for "further study." Then, I'll email -- on February 14 is my goal -- the draft out again to everyone to prep them for the defense, and I'll have 5 days or so to prep myself for the defense too. And, really, I have a powerpoint and a prezi I've used before, so, really, it's just practicing and narrowing in on what I can cover in an hour presentation/defense.)
But, it is time to revise, time to let myself fall back into my dissertation, time to make time, and time to believe in my study again.
I write all this because it is a challenge and an opportunity; it is a walk through and with vulnerability and creativity; it is the place I must confront the imposter syndrome feelings, etc etc etc.
Thankfully, my wombyn's circle on Monday tackled this issue head on, and I have a new vision board to help me!
Maestra Moraga's Writing Workshop Circle |
3 comments:
You are wonderful, literally full of wonder! Loving your dedication, focus, and openness.
Congratulations! What an achievement. Your work sounds so interesting. Way to represent! Go, Cristy!
Eve! Cyndi! You two are great. Thank you so much for the encouragement!!
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