25 June 2019

Moments of Control

Today was one of those days when you, as a parent, are presented with this choice: hold your child down, control that child's body, because you believe it is necessary -- or walk away.

I remember having this choice when my little one was an infant, maybe a toddler, and we needed him to be securely in his carseat.  I remember having to hold him down while my partner buckled him in.

Today, a couple years later, this child is nearly 4.  And, once again, we are in this situation.  I am in this situation.  This time, it's about vaccines. 

I want to give myself some grace; the last few vaccine sessions went smoothly.  Our little one wasn't happy about the shot, but he went along with it.  I sensed he understood it was mandatory for him to go to "his school," the school he loves immensely, where he knows his friends are, where he loves the songs and games and toys and snacks.

This time, was different.  Perhaps it was nap time, perhaps it is his age, perhaps it is that we are going through a huge time of transition: dadda is gone to work in Alaska and we have no home presently.
Whatever the reason, my child ends up yelling at me that he does not want the shot and he backs away terrified.  Honestly, I want to post a pic of what his face and body look like at this moment  -- oh, lorde, how awful -- and a pic of mine -- lorde have mercy, but I just can't.  Up until this moment, that face and those words never existed in our family's world. 

I imagine, though, it's a meme like this:
sad comfort eating GIF

BUT NOT FUNNY AT ALL.

So, 30 minutes into this terribly traumatic doctor's visits, and I am finally holding my child in my lap while the nurse holds his legs, and another nurse pops in and says, "What if we reschedule?"

And, I say, "yes."

03 March 2019

A Letter of Interest


Interest: I am the granddaughter of Priscilla of New Mexico and Concepcion of Cebu. I am the mother of Jaguar of Long Beach. I am an artist and a thinker. I am a reader. I am a survivor. I teach Gender Studies part time at the University. I choose to teach part time so that I can be a full time mother. I am 40 years old this year. I live, sometimes, above the poverty line, and I want you to know that I consider this thriving not just surviving. I am my ancestors’ wildest dream as a mother and a professor. I get to spend time with my child. I write because I cannot help myself. I write to process my day’s work and to affirm my family and home culture. I collaborate whenever I can. I co-founded a podcast called Las Doctoras. I am co-authoring a book called Semillas de las Abuelas. I am co-facilitating a workshop for mothers and daughters on first menstruation. I aim to work only 30 hours a week. I try to not buy new things but to reuse and reduce and recycle. I have to put my hands in the Earth every day. I like to have frijoles de la olla on the stove. I had them cooking while I gave birth at home. My comfort food. I believe children are magic; I create space to witness and affirm my child’s magic. 

Person: A medium once told me my heart told her that I am more eccentric than I let on. As a Virgo, I dress simply. I speak with intention. I control my environment as much as I can. As a survivor of trauma, I live simply. I cultivate spaces of clarity and safety. I hate the TV. I listen to when I feel uncomfortable and when I do not know how I feel. I organize. I meditate. As a traveler, I love packing up my duffle bag backpack for the next adventure. Airports are among my favorite places. I pass as a local in many countries. I learn the local dances. I paint what I see. I write what I experience as a woman of color. 

Artist: In the morning, my child and I wake, and together we make art: writing and painting. I have a water-color station for us set up in our home to pull us into this art time. I am working on an oracle deck for children as a part of Semillas de las Abuelas. The cards of the deck contain poems and paintings. Each morning, I work on one of these cards. Community/ Comunidad. Earth/Tierra. Share/Compartir. In the afternoon, while my child naps, I work on my manuscript Becoming a Woman of Color: A Travel Memoir. I read from my work-in-progress at a reading in San Francisco for Weekday Wanderlust facilitated by Don George of Lonely Planet and my travel/memoir writing teacher from VONA (Voices of Our Nations Arts Foundation), Faith Adiele. I submit this piece for this application. 

Artist-Parent: I compelled to integrate mothering into my artwork. I want my motherhood to change my life as a person and as an artist. I believe that this union will bring greater gifts than I can even imagine. I understand that the messages I receive in dominant sources of media suggest otherwise, and I choose to listen to the messages of my ancestors. These messages reveal to me that my mother-child relationship is key to art and life and more. And, at the same time, the balance can be challenging to create. There is little model. I require time alone in my artistic process. I require moments to reflect in meditation which my child can only participate in in short bursts. Thus, my ideal balance is to create moments of play and paint and lying on the ground and laughing as well as moments of observing my world and my creative work and writing in the early morning hours. This is my calling and daily practice. 

Interest: This award would permit me to write, to have the time to write, to have the means to write, the room to write. Currently, I write in the bathroom or in the car recording notes on my phone or while my child naps. I write, and, at the same time, I long for space and time to cultivate my art. I long for the monetary energy to take space to write, create, breathe, and be present to the thoughts and stories in me. This award would be pivotal in my creative work.
 

08 November 2018

Finding a Community: Las Doctoras and Latina Mothers Collaborative

It's hard to believe that a year has gone by since I joined the Latina Mothers Collaborative (LMC).  Invited by my dear friend Carolina Adame, which I know from our Spanish-based unschoooling group La Manada.  In my first meeting with LMC, I found in this intimate group of muxeres like minded friends.  One of these muxers, Dr. Renee Lemus, I knew before the collaborative; our children attended Maple Village together.  We had talked at length, watching our children play unstructured and safe, about our doctorates, our gender and ethnic studies classes, and our identities as latinas.  I found a sister this year for sure. And together, we are embarking on a dream journey: Las Doctoras, an online class outside the university with our social media presence on IG as @las.doctoras   We are even working on Las Doctoras, a podcast to explore the topics at hand.  Really there is so much to be grateful for this season of  holidays and joy.

02 November 2018

A Sense of Freedom

Sometimes you just want to get out. Out of the daily grind. Out of the mother’s circles. Out of the weekly commitments. Out of whatever routine you’ve developed for yourself. Yourself, that is, and your family. Sometimes you just want to get out of the family life that is now your life.  This life may be some of choosing; however, at the end of the day, this life feels like it has been chosen for you. I mean: do you really want two cars and a commute to work and a closet full of clothes that you continually have to give away and get new ones? Do you really want to read books on parenting and simplicity and consciousness, and do you really want to have late fines from the library and a calendar starting to brim with holiday plans for the next few months? All these things could be so normal and so beautiful, but sometimes don’t you just want to be free of it all?  And not just sometimes but all the time?

Perhaps it’s how I hold it? How I hold these life doings. Too heavy. Too significant. Perhaps it is how my parents held them? How I saw them carried out in my family? How my parents saw my grandparents carry on with life.


Image result for statue of person emerging from metal

Freedom

This sculpture is about the struggle for achievement of freedom through the creative process. Zenos Frudakis

31 December 2017

A Newsletter


Summer 2018 Newsletter: EASE AND JOY

Family,

Mid June, and I am finally writing our annual newsletter. Bebe is playing, I am teaching a couple Gender Studies courses online with CSUDH, and Zack, after finishing his semester at CSULB, is off to Alaska to fish for Salmon. 



Our summertime intentions include: ease and joy and rest and...writing.  So let me begin with writing you all a little note about what’s been happening in our lives. These are the late spring/ summer days of Little Robinbird and Abuelo Oliverdog with Dada and Mama, in the style that Mama shares at bedtime with “Bebe”: Once upon a time, in the beach loft on the Peninsula in Long Beach, Little Robinbird and Abuelo Oliverdog woke up and usually found that the sky was blue, the sun was out, and the ocean was calling. Robinbird would stretch and say, “Good morning, Mama and Dada” and “Hi, Oliver”  or just tell us a story about how a snake bit him but then a bird carried the snake away; Mama, inspired by one of Robinbird’s books, might say to Robinbird “Your eyes are the ocean, your skin the golden Earth, your smile the sun, your laughter the playful wind.” Then, the little family would climb downstairs for coffee. Oliverdog would follow with a slow but steady hop down as well, and each would say ‘mornnin’ to the family whose photographs decorated the stairwell wall.  (Abuela Grammie passed this year, and she has an honored place there).  Robinbird would help Mama make breakfast and water the ‘babies’: the little peas and cilantro and malunggay growing on the porch. Sometimes, if Mama was very lucky, while Robinbird pretend played, Mama took a moment to journal at her “sit spot.”  Soon, Oliverdog would ask (by scratching at the door) for a walk, and so began outdoor time walking or bicycling around the boardwalk. Art or music indoor time followed, and after lunch would be naptime. On the walls of their room, you’d find Mama’s artwork, Dada’s octopus ink print from our Alaska travels last summer, and a painting of the ocean that Mama and Robinbird created this year. Later afternoon brought beachtime with friends or an adventure to the museum or aquarium or Disneyland.  Altogether, it was a pretty wonderful summer for “Team Sea Jaguar,” but for Dada being in Alaska. Mama was so grateful for her Little Robinbird and  Abuelo Oliver. Fin.


And, that is our lovely little life. Last summer, we traveled to Hawaii and the Northwest. This summer, we have a Caribbean cruise and the Colorado Plateau.  We hope to see you all very soon. Bebe can show you his grito he’s working on, and we'll all shout “I am proud to be your family!” - Mama Cristina

15 January 2017

Diwang Pinay


Image result for diwang pinay

Last evening, I spent at the Uptown Business Center in North Long Beach with mujeres from Gabriela, a Filipina led organization that advocates for gender issues.

Together, we read true stories of the lived realities of Filipina migrant women who have been manipulated, trafficked, into the US.  Told lies, brought into great debt, and coming from a great need to provide for their families, these Pinays somehow survive.  The story we read aloud last night from the account of an Ate C struck home with me.  It's a story of abuse that is not unlike the story of my Lola.  Although nearly 80 years has passed since Lola came to the US as a War Bride following WWII, these Pinays continue to experience abusive relationships tied in with desparate hopes for the American Dream or Nightmare if you will. For my Lola, this was surviving in a relationship to a violent white (in every sense of the word) husband (my grandfather) in Missouri and then California, and for the Ate whose story I read last night, surviving in the hell of under valued caretaking of white elders in Arizona.

I had to risk it. 
 -- not enough for my family.
They were selling us.
-- I told my children I was ok.
They listened to my conversations and told me not complain.
-- money for education, money for food.
I knew I was in trouble. 
-- (crying)
I borrowed money to pay for training, the passage, the visa.
-- my god. 
There was a naked old man on the couch.
-- trembling.
I arrived in Phoenix and waited for over 8 hours. 
-- my god. 
I had to risk it. 
-- my friends drove out from San Diego with their grandkids in the middle of the night. 
Just me a three elderly people to take care of. 5 hours of sleep a night.
-- my god. 
I had to risk it. 
-- I called my friends. 
I told my children I was ok. 


13 January 2017

Challenges...and essay challenge 2017

Took on a challenge to write weekly, and here it is January 12, and I've not written a thing.  Today, I finally took a moment in the chaos of motherhood to, at least, begin:
Here's my inspiration:

from “In the Subjunctive Mood” by Michelle Morano:

IN language, as in life, moods are complicated, but at least in language there are only two. The indicative mood is for knowledge, facts, absolutes, for describing what’s real or definite.  You’d use the indicative to say, for example:
            I was in love.
            Or, The man I loved tried to kill himself.
            Or, I moved to Spain because the man I loved, the man who tried to kill himself, was driving me insane.
            The indicative helps you tell what happened or is happening or will happen in the future (when you believe you know for sure what the future will bring).
            The subjunctive mood, on the other hand, is uncertain.  It helps you tell what could have been or might be or what you want but may not get.  You’d use the subjunctive to say:
            I thought he’d improve without me.
            Or, I left so that he’d begin to take care of himself.
            Or later, after your perspective has been altered, by time and distance and a couple of cervezas in a brightly lit bar, you might say:
            I deserted him (indicative).
            I left him alone with his crazy self for a year (indicative).
            Because I hoped (after which begins the subjunctive) that being apart might allow us to come together again.



Indicative mood and facts -- for example:
I am a mother.
Or, my child is giving the dog his pacifier.
Or, the light is coming through the window on the couch so perfectly just now; I can see the waves glisten too.
Or, I need a nap because I am a mother and my child is sharing his pacifier with the dog and the couch is so perfect for a nap just now.

Subjunctive mood and uncertainty -- for example:
I thought we could lay down together and take a nap.
Or, I am waiting for my partner to get home so I might nap.

Later, after my perspective is altered -- if I ever get a drink -- I could say:
I’ve been up all night nursing a sick and teething baby.
I will be starting the semester teaching in a couple weeks.
Because I am swamped with sleeplessness and teaching prep I hoped that my child would nap with me in the sun.


28 November 2016

(Re)connecting and Oshun

Hard to believe a year has passed since I last posted on this blog.  I had hoped to turn it into a website -- but it's hard to choose the right formatting. I think I keep hoping Google will develop a website and that my blogger posts will easily transition into that system.  Alas, hasn't happened yet.

Too, I'm now the mama of a 14 month old, so writing (especially when the computer is down) is somewhat challenging.  It gets put in the final stack of "to dos." 

I have been able to journal and record bebe's growth and my own, and I've found time in the mornings to paint and be in quite meditative creation space.  Thank goodness.  Still, writing -- I find this writing just now delightful - a breath of fresh air -- powerful -- soothing.

This soothing is what I've been experiencing lately as I think upon my African ancestry and its influence on the curanderismo I carry.
Image result for oshun art
Oshun -- artist unknown

11 January 2016

Annual Newsletter

When I think about writing an annual newsletter for 2015, I know it’d be easy to just say 2015 was THE YEAR OF THE BABY. Pregnancy confirmed January 20, 2015 (first day of my women’s studies class Spring Semester at CSUDH), and baby birthed September 23, 2015 (at home on Autumnal Equinox). But, you know there’s so much more that happened as our Robin Sea Jaguar was developing in my womb. 

To begin, we made a few trips out to the Channel Islands with our sailing vessel “Abundance” and a couple great friends. We went diving for lobster, and the sea gifted me with an abalone shell. And, swimming through the great kelp forests out there was comparable to my times diving in Hawaii. Seriously, it was amazing, and I am so grateful for our sailboat and these priceless trips to places that are so close but so far for most us from So Cal. We kept our boat in Ventura, and although the commute from DH to Ventura wasn’t ideal, the boat life was worth it. 

Some achievements of the year: I celebrated my first mother’s day as a mother ever. I was also invited to speak at the Association for the Study of Women & Mythology as well as the National Association for Chicana and Chicano Studies. Then, I had my first academic publication in the Gloria Anzaldua “El Mundo Zurdo” anthology. And, some of my pieces from “Sacred Heart of Mango” were chosen for publication in JOTA. Finally, I began work on a new art series on pregnancy; my “Anak Talong” is above. It felt good and still does to be an academic as well as a mama. 

Throughout the year, we were honored with a handful of wonderful baby showers hosted by family and friends from the Bay Area to the LA Area. There’s so much love in our community for this #beberawr as I call him, and I certainly felt it as we celebrated the baby yet to be born in Huasna, in Whittier, in Ojai, and more.

Although we sold the boat in May and moved into our new place on the Peninsula in Long Beach in August, I enjoyed a great “summer of pregnancy” while Z was in Alaska fishing. I stayed at the family home in Whittier swimming and yoga-ing as well as seeing the chiropractor, acupuncturist, massage therapist, and psychologist (I have great health insurance through DH). I think it all culminated in my 36th birthday, which I spent at Glen Ivy (my first time going there ever). 

As you can imagine, the year peaked with the birth of baby binhi (“seed” in Tagalog), which went so well thanks to our birth team. If you are interested in the birth story, I can send it to you. We got to bring baby out to visit his ancestors in San Gabriel and Santa Maria in November, and then, of course the holidays were precious with a baby.

Loads of wintry love,

Me and the Rose-Hawkins Family

03 July 2015

Seeking...Inspiration



And, I have a new writing station at my friend Delia’s little cottage in Whittier. I’m here for my third time as I try to cultivate memoir writing space, picking up from where I left off last summer after VONA (Voices of Our Nation’s Art Foundation).  VONA is meeting again this summer in Miami, and I elected to stay in So Cal in prep for the baby’s arrival in September.  Indeed, I let go of going to Anzaldua (a conference I was to present at) as well as MALCS in order to focus.  It feels good overall, but I do really want to pick up again Becoming a Woman of Color: A Travel Memoir.

I’ve got a lot to pull from: my travels of the last 16 years or so (which I began to process and write on while at VONA), our life of a sailboat, and now, my maternity.  The issue at hand, as is the case normally, is believing that I have something to say, believing that my story matters, and letting this true voice and story of mine come out. I do have the good news that my first academic paper has been published by El Mundo Zurdo and Aunt Lute Press. So, there's that.

Still, the need for a writing place outside where I live, thus the need for space to reflect in gratitude, thus the need for some inspiration. 

Inspiration: it’s time to look again at those VONA notes. 
I have been writing poetry about becoming a mother as well as creating daily paintings on the subject too.  These are accomplishments as are my established routines of these past three weeks: prenatal yoga, morning walks with friends, gym squats and arm exercises, swimming laps and helping Oliver get used to the pool (hopefully), acupuncture and chiropractor visits, playing lullabies for the baby with my guitar and voice, healthy protein rich diet with prenatal vitamins, oiling my body, and a few larger works of art. 
Full Moon/Venus-Jupiter Thoughts from Chani

Nevertheless, I’m seeking that fire (in the belly?) that I must simply write about this or this…

Doctor, you tell me …
Midwife, you tell me…
Mother, you tell me...???


Or,
Growing up and motherhood…tackling inner demons of what this all means?  How living on a boat and not an apartment or home help.  Doing it uniquely…trying to not repeat the same mistakes of my parents, my mother…


Or, the silence of growing a baby…

08 June 2015

Summer 2015 and Catching Up with the Online World

This Summer:
This summer I find myself able to create the space to finally write, paint, play music, and maintain, to a certain degree, my website in progress and my blog long ignored. 

This academic year of teaching Gender and Ethnic Studies in L.A and living on a sailboat in Ventura has been quite full. What adds to this year's fullness is the arrival of a baby in my body!  Both a long time in my planning -- nearly 5 years -- as well as a wonderful surprise, this baby makes me deeply happy.  I've been diving into, as you can imagine, research on the subject of birthing babies, and now, I've firmly settled on my birth partners.  We've also had a few showers and will have more before the baby is due in September. 



Old Travelogues:
I have been writing snippets for the blog on my computer, but I haven't had wifi access on the boat. Thus, here are a few travelogue pieces from 2015:

4 June 15
I’ve survived the transition of Zack’s leaving for fishing.  I cried buckets the few days before we said goodbye, so much so, perhaps, that I wept a bit the way home from the airport, and then cried no more.  Tuesday, Wednesday, and Thursday morning all were spent in clearing the way for art and writing.  I literally cleaned my bedroom and what I am calling the creative room, and then I did so with my “home” work pile up.  Unemployment for part-time lecturer work, check. 200 bucks a week.  Billing verification for prenatal and birth care, check.  10% in network, 40% out.  Women baby showers for July planned, check.  Gym and yoga, check.  Oliver care, check.  Midwife and doula meetings, check.  And so much more really.

Now, this afternoon, thank goodness, I had the space to both write, paint, and play music.  I am grateful for the magic that I experienced in these creative activities. 


12 April 15
It’s been a moment since I last wrote, and it’s been too long since I have posted on the old blog.  I’ve been reluctant to change it up and develop the cristinagolondrina website even though it’s marketed in my bios for conferences and artshows.  I still can’t decide on how to begin.  And, then, of course, I imagine a link to boat thoughts and…most recent news…baby thoughts.   Just about right after that last blog post, on Jan 20 to be exact, I discovered I was with child, and since then, of course, life has really transformed.  That same day, Jan 20, I began the teaching for the Spring 2015 semester two classes on an intro to Women’s Studies, and combined baby and teaching has really quite consumed my energy.

When I speak about energy, I mean it.  From about Jan 20 til the beginning of April, I slept more than half of it in deep and rich dream filled naps and nights.  I also completed changed my diet and ate protein and smaller meals that I planned out; started up on pre-natals, folic acid, and DHA as well as iron, calcium, and chlorophyll; and, saw an acupuncturist and chiropractor and learned that I needed to stay warm (No cold beverages, always dry my hair) and eat papayas, kiwi, avocado, yams, and spinach.  I then read Ina May and Birthing from Within, and between doctor visits to Kaiser – that included an ultrasound (no twins), an image of an amoeba with legs, and a 180bpm heart beat – we also began the journey of deciding on genetic non-invasive blood testing.   We emerged an eternity later with a healthy prognosis and a midwife named Racha out of the LA Community Birth Center in midtown. 

Currently, we’ve got these things on the table:
-          We are pausing to transform some of the old gender/sex roles brainwashed into us since birth so that we can fully be present to our child (we know the sex from the blood tests) before we announce the sex to the world. 
-          We are looking for a home – a larger boat ideally.
-          We are getting a registry ready for our sisters, who are throwing us baby celebrations this month and next.  In this, we are learning about what we actually need. 

As the baby prep continues, I’ve also had the honor of presenting at a couple conferences, helping to plan women speakers on campus, and I’ve been painting again as well. 


18 jan 15
We made a grand dive out on Santa Cruz.  First, free diving in the kelp forests; I could see the light coming through the leaves, and I remembered diving in Hawaii.  

Then, scuba diving around the corner; I found an abalone shell, and I saw the great big orange fish – the Garibaldi.  And the seal that swam under us as we snorkeled we saw again I suppose when we were deeper scuba diving…at our eye level.

Afraid at first, but confident soon. Yes!


11 jan 15
Woke up to big leaks in the v-berth. Luckily, all were along side the starboard wall…so I wasn’t wet though the edges of my sleepside were.    I let the berth dry today, and Zack washed the sheets among other things because he woke up sick in the middle of the night.  Because of the rain we had a bunch of wet towels and such, so the laundry was needed.

I went out for a walk with Mr. O this morning and took a shower before getting ready for a day in the city with Reyna, Erynn, and Leti.   It was a day of finding a princess dress and speaking Spanish as well as finally finding a beautiful poncho I can wear for work.

Returning to the boat, it’s relatively dry, and we put on the heater (from the Goodwill and only 8 bucks).  Zack is still sick and I put on my lullaby playlist on Pandora.  The good neighbor Greenwells bought Z some tom yum gang and we share this.  I alslo open a bottle of the Toolin Around (Zack’s Aunt’s wine) I won for Christmas in the exchange.  I’m nearly ready for bed after pulling with coconut oil the bad things from my teeth, swishing with salt water and now brushing.  I’m a little concerened because I have’t started my moon.  Feeling the heaviness though.  Mostly concerned because of the wine I drank these last two weeks.  

10 January 15
It’s now been a little over 4 months since Z and I moved onto our Islander 30 mkii Sailboat. 
Today is a rainy day, and we’ve been working inside.  The work includes refinishing the wood, replacing the head (bathroom) sink hose, and installing a co/smoke detector in the v-berth (the second cabin and “master bedroom” of the boat). 

Oliver (my nearly 9 year old Cavalier) sleeps is the salon on my right as I type at our dining table that converts into a bed when we have company.

These last few weeks have been full of holiday celebrations as well as taking time to envision our future.  This week has been putting visions into action.  We ..

Got up for a moment to check on an old leak. We have tarps covering a vulnerable area on the starboard (right side) of the boat where the toe rail (made of teak and helpful for not falling when walking on the deck) has some holes we guess.  Unfortunately, the tarp isn’t covering a big spot where the chain plate (metal plates that are integral to the boat) comes through into the cabin.   These chain plates anchor the standing rigging that keeps the mast in place.  A leak is alarming but not that special when it comes to other boats in the harbor.

The Plan:
To finally develop "z website" and to write about:
My partner’s message to our child.
My tribute to my partner before Father’s Day.
The baby moving.

The leaving of our boat home…the future plan this year, and the next five years…

06 November 2014

Recent Publications and Doings

I had hoped to have a fine website by now, but I've been delayed.  For good reason, really; I got a job as a professor of Women's Studies at CSUDH, and I've continued presenting on my findings.  Oh, and we bought a sailboat.

More on these things to come.



For now, I'd like to celebrate some publications and exhibitions.

Here they are from my cv:

PUBLICATIONS







ART Exhibits

09 June 2014

Done Graduated: Introducing Dr. Cristina

             I can hardly believe it’s been a couple weeks since I’ve posted and a month since a more formal post on my dissertation.  Since submitting my dissertation for publication on May 3, so much has occurred. Where do I begin?
            Well, first, I’ve called the last few weeks since commencement as “Season of Celebration.”  Commencement weekend itself was its own transformation. A batek, a big party at Jill’s in Berkeley, and commencement itself.  Celebratory yes but also ceremonial intense.






            Getting away to Santa Cruz – Brighton State Beach – was a relaxing response to the prep and parties as was some time with family and on the central coast with my love.  Celebration season finished back down in Los Angeles for my final party at my family home in Whittier.  Just so great! Altogether, my parties brought so many precious loved ones together, and I’m grateful for the good folk who have been a part of my educational journey.
            Second,  I’m proud to share that I am the “owner” of a website: cristinagolondrina.com. For now, it really goes back to this blog at blogspot; however, I have high hopes for it to be a place to showcase my writing and artwork.  As I look for teaching and organizing work in the Autumn, I’m establishing myself as an independent writer-artist. 
            In part this is because my summer has developed into quite the artist-writer season.  Just this month includes my artwork in exhibits in L.A. and Berkeley, Filipina-Indigenous weekly dancing, and VONA’s creative writing workshop too!
            Indeed, the two projects taking the most energy right now are: 1. Prepping my blog formatted in such a way that I can submit it as a manuscript to work on at VONA workshop.  And 2. Revising and submitting my resume/cv out into the world with my sister network.

 CRISTINA ROSE SMITH, PhD

EDUCATIONAL BACKGROUND:
PhD, Women’s Spirituality, Philosophy and Religion, California Institute of Integral Studies.  Proposed Dissertation: “A Labyrinthine Altar to Integrative Solidarity: A Mestiza (Xicana, Filipina, and Euroamerican) Approach to Multiethnic Creative Texts.” 2014.

MA, English Literature, California State University, Long Beach.  Emphasis: Women’s Literature.  Thesis: “The Female Literary Tradition: Surrogate Mother-teachers in Mary Wollstonecraft's "Original Stories" and "Maria" and George Eliot's "The Mill on the Floss" and "Romola.” 2008.

BA, English Writing, Biola University, La Mirada, California.  Concentration: Classical Literature. 2002.

Academic Interests in Teaching and Research: Transformational Multiculturalism, Gender, Race, Multiethnic Pedagogy, Women’s Writing, Multiethnic Studies, Mestiza Consciousness and Gloria E. Anzaldua, Post-colonial Studies, Indigenization, Feminist/Womanist Studies, Decolonization, Multiethnic and Multicultural Literature, Ecofeminist, EcoMestiza Thought, Pedagogies of the Sacred


PUBLICATIONS
“Tita Tells Me,” Framing Our Stories: An Anthology of Inter-generational Writings. The Alvarado Project Press. San Francisco. Expected release date: end August, 2014
“Herstory of Creation,” Ofrendas of the Flesh. Mujeres de Maiz Press, Los Angeles. 2014.
“Dearest Lola Yolanda,” Verses Typhoon Yolanda: A Storm of Filipino Poets. Meritage Press, San Francisco. 2014.
"La Golondrina Ibon." Baybayin. Kabuay Press. San Francisco. 2013.

PAPER PRESENTATIONS
National Women’s Studies Association (NWSA), Puerto Rico. Paper Title: "Mestiza Daughters in Conversation: Spiritual-Feminist Examination of Mestiza Identity.” November 2014.

MALCS (Mujeres Activas en Letras y Cambio Social) Summer Institute, Northern New Mexico College.  Paper Title: “Embodied Mapping: A Mestiza (Xicana, Filipina, and Euroamerican) Approach to Home.” July 2014.

Gender and Women’s Studies Section, Western Social Science Conference (WSSA), Albuquerque, NM.  Paper Title: “Mestiza Xicanas and Mestiza Filipinas: Borderland and Diasporic Literary Mestizaje.” April 2014.

The Association for the Study of Women and Mythology (ASWM), San Antonio, TX. Paper Title: Finding Solidarity in Mutiethnic Creative Writing.” March 2014.

American Literature Association (ALA) Symposium, "The Latina/o Literary Landscape." San Antonio, TX. Paper Title: “Finding Solidarity in Transformational Multiethnic and Spiritual Creative Writing:  A (Xicana, Filipina, and Euroamerican) Mestiza Approach to Literary Critical Methodologies.” March 2014.

“El Mundo Zurdo,” Society for Gloria Anzaldua, San Antonio, TX.  Paper Title: “Xicana, Filipina, and Euroamerican Transformational Integration in Solidarity in Multiethnic Creative Writing.” November 2013.

American Academy of Religion Conference/ Western Region, Tempe AZ.  Women’s Caucus.  Paper Title: “Bioregionalism and Collaboration: Allies in the Ventura County Grassroots Community.” March 2013

9th Mindanao International Studies Society (MISS) Convention 2013, Zamboanga City, Philippines.  Presentation Title: “Multiethnic Goddesses.” February 2013.

American Academy of Religion/ National Conference, Chicago, IL.  Women of Color Scholarship, Teaching, and Activism. Paper Title: “Sacred Ecowoman: Naming and Reclaiming.” October 2012

American Academy of Religion Conference/ Western Region, Whittier, CA. Goddess Studies I: The Virgin Mary Across and Beyond the Americas:  Merging Cultural Realities and Emergent Manifestations.  Paper Title: “Embodied Restless, Mestiza- Feminist Spirituality, and the Divine Feminine.” March 2011. 

“(dis)junctions 2008: Where the Streets are Re-named” Conference, University of California, Riverside, CA.  Paper Title: “God’s Delight in Eve’s Dancing in ‘Mazes Intricate’: Labyrinths and A(Maze)ment in Milton’s Paradise Lost.” April 2008.

Hawaii International Conference on Arts and Humanities, Honolulu, HI. Paper Title: “Extending the Female Literary Tradition: The Need for and Fulfillment of Surrogate Mother-Teacher Figures in the Lives of Mary Wollstonecraft and George Eliot.” January 2008.


ART Exhibits
“Sacred Heart of Mango,” at "The Arrival of the 12th Poblador," The Pico House, El Pueblo Historical Monument, Los Angeles, May 9 - 25, 2014

 "Sacred Heart of Mango Xicana-Pinay" and "Sacred Heart and Mango with Roses and Fire," “IMPACT,” DISCLOSE and Worth Ryder Gallery, UC Berkeley, June 7-13, 2014


15 May 2014

A bit more fun: For the WSE Newsletter/ TAing for Ana Castillo




This semester, I have the honor of being the Teaching Assistant for Ana Castillo and her class “Writing Spiritual Memoir.”  Castillo, as I wrote in my application for this TA position, is one of those writers for me.  Reading her work changed my life, and I remember the first time I read her novel So Far From God, which is set in a part of New Mexico where I have motherline roots.  I remember where I was both locationaly and contextually in my life when I read this story:  Monterey, California; an undergrad at an evangelical Christian university in love with Keats and the Romantics; 21 years old.  With nuevo mexicana roots myself, I read Castillo’s revision of the “Way of the Cross” to Chimayo (sacred Earth in NM) with her character la Loca, and I felt intimately connected to the procession!   If you haven’t read this novel, I can’t recommend it enough, particularly this scene in Chimayo.  Indeed, reading So Far From God over ten years ago, I was so affected that it lingered with me, so much, in fact, that the novel plays a key part in my dissertation. 

Altogether, this class is unique to me (even though I have been a TA before in other really exciting classes) both because the teacher and her writing are key figures in my life and because of the focus of the class as well.   My studies align with “Writing Spiritual Memoir”; in particular, I am attempting to integrate spiritual memoir writing into the academic framework of a dissertation.   Thus, for all these reasons, I feel a synergy in being Ana Castillo’s TA, additionally because it is my final semester at CIIS.   I mean, how perfect is that?

To give a brief overview: Castillo’s “Writing Spiritual Memoir” is a hybrid class.  We met face to face in January for a weekend, and now the class discussions and assignments are continuing online.  Although a hybrid class can be tricky – we must have different expectations on caucus than in face to face classroom settings – the class topic is perhaps ideal for this situation.  Writing spiritual memoirs takes a lot of solitary time to self-reflect and then put it all on paper.

Maestra Castillo’s exercises and assignments encourage the students to think about their lives as a whole and then to dive into a particularly poignant memory.  Her words free memoir writing from having to be objective or chronological.  Her suggestions call students into more depth and intimate engagement with their stories.   Then, too, Castillo asks students to  (re)consider their definition of spirituality with assignments to read a memoir of their choice along with Castillo’s anthology, Diosas de las Americas /Goddesses of the Americas.

Overall, from a TA’s perspective, “Writing Spiritual Memoir” has been both affirming as well as challenging.  Through this class at CIIS, there is great opportunity to both learn from Castillo as well as to learn from ourselves through the spiritual memoir writing process.  I am excited to see how the semester continues.  

Moreover, I am excited to connect with Castillo more having been given this great chance to work with her.  Castillo offered the class the chance to join in on her writing workshop in Chimayo in April for Holy Week.  I will be there along with another student in the class.  Last, being there for Holy Week, I will have the opportunity to actually walk the “Way of the Cross” procession with this amazing writer.  I would never have thought it possible as I was reading So Far From God so long ago; however, I am not so surprised. 

Truly, mine is a story of much synergy, or good luck, in the WSE program, and I am grateful to have been a part of this community of sister scholars for the last four and half years.



13 May 2014

A Bit of Fun: Testimonial and Photograph for WSE blog I wrote in early April



 
Before entering the Women’s Spirituality program at CIIS, Cristina was a writing teacher at CSU, Long Beach.  Along with teaching at CSULB, she also worked as an interfaith chaplain and helped to coordinate, at the Women’s Resource Center (WRC) on campus, a project to end violence towards women students. 


She had studied English Women’s Literature for her BA and MA, and she was trying to figure out the next step for herself.  Decreasing funds for teachers and project coordinators on campus were forcing many of her colleagues to leave California, and Cristina thought it was probably a good time to go back to school.   Her own personal life circumstances also encouraged her to make a change with her life. 


 
“Being a lover of literature, I escaped into books and pretended that the traumas of life didn’t exist.  I didn’t know how to live in reality, and after being trained as a sexual assault crisis counselor with the WRC, I realized I had been living in a rape culture all along.  I realized violence was normal in my daily life, and I decided I had had enough.”


 
One of Cristina’s mentors at the WRC told her about the PhD program in Women’s Spirituality at CIIS.  At the same time, Cristina was invited to co-coordinate a farm community with four other women.  She decided to enter the WSE program as a semi-distance student.


 
“It was perfect. I worked on the farm all day – weeding and harvesting – and then I worked on my papers on ecofeminist thought!  Before entering the PhD program,  I had no idea that women and the Earth were an integral part of women’s spirituality! That year turned out all kinds of synergy.”


 
Finishing her first year and writing, in that, a paper on her motherline, Cristina decided it was time to explore her Xicana and Filipina ancestral lineage.  While completing her coursework, she traveled to New Mexico and the Philippines.  She was able to meet and learn from her personal role models, including Leny Strobel, Cherrie Moraga, and Ana Castillo.   And through WSE, she worked as Ana Castillo’s Teaching Assistant.   Cristina connected with scholars in the fields of mestiza discourse, pedagogies of the sacred, and indigenous Filipina epistemologies. 


 
“Suddenly I was writing a dissertation that brought together my love of literature as well as acknowledged the painful experiences in myself, my ancestors, and my communities due to racism and colonization as well as sexism and patriarchy.”


 
As Cristina wrote her dissertation, she also developed her creative writing and has had a few of her pieces published in anthologies such as Mujeres de Maiz: Ofrendas of the Flesh and Verses Typhoon Yolanda: A Storm of Filipino Poets.  


 
Cristina is currently working to complete her dissertation.   Check out her progress at cristyroses.blogspot.com.